 Hal Reed - photo by Glenn Cotabish The Mississippi Valley Blues Society presents the duo of Hal Reed and Donald Kinsey for its Blues in the Schools Artists in Residency Series for April. Hal and Donald will conduct their “Generations of Blues” workshops at nine area schools and four Open to the Public performances between April 6 and 10.
Through storytelling, discussions, and musical demonstration, Hal and Donald will trace blues music’s history and culture from its African roots through today’s era, showing how and where the blues originated and threaded its way through all cultures in our society. The goal is that students today continue to appreciate, understand and carry their fathers’ and mothers’ music into the next generation.
Blues harpist, guitarist, singer and educator Hal Reed was born in Mississippi just a few miles from the Delta, where he grew up influenced by his grandfather, a talented southern folk-blues artist who in addition to inspiring young Hal’s love for the blues taught Hal the need to pass it on from generation to generation.
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 TJ Wheeler Blues guitarist and educator T. J. Wheeler is the third blues educator selected to be a part of the Mississippi Valley Blues Society’s 2008/2009 Blues in the Schools Artists in Residency series. He will conduct workshops at eight schools, one university, and the Putnam Museum for the week of February 2-6, during Black History month. T. J. will also conduct three FREE, open-to-the-public performances at the Bettendorf Family Museum on Monday Feb. 2 (6:00 p.m.), Borders in Davenport on Tuesday Feb. 3 (7:00 p.m.), and Mojo’s in the River Music Experience in Davenport on Wed. Feb. 4 (7:00 p.m.).
T. J. Wheeler was born in Bremerton, Washington, on April 16, 1952. He began playing the guitar at the age of 12 after being inspired by the Beatles and the Rolling Stones and a local band by the name of the Sonics. At 15 and 16 T. J. was playing his guitar as a single and in all types of groups such as jug bands and organ trios at all types of venues such as coffeehouses and bars in towns and cities on the Pacific Coast between Seattle and San Francisco. He then spent a year on Bainbridge Island, Washington, running his own coffeehouse which featured live acoustic music on weekends. Afterwards, he spent two years in Seattle, where he performed in different groups and was able to hear in person and be influenced by visiting blues legends such as Mississippi John Hurt, Elizabeth Cotton, and Son House.
Beginning in 1972, when he reached the age of 20, T.J. did a lot of traveling, spending time in the Deep South, where he heard, played and even lived with blues legends such as Bukka White, Furry Lewis, and Sleepy John Estes. He also spent time in Colorado, performing and hanging out with blues musicians Jerry Ricks, Mary Flower, Tim O’Brien and others from the Denver Folklife Center scene. |
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 Billy Branch In bringing 10 years’ worth of blues educators to the Quad City community, we have all learned from some of the very top blues educators—such as Rev. Robert Jones, Fruteland Jackson, John Jackson, and of course Quad Cities’ own born and bred Michael “Hawkeye” Herman. But in my opinion, none have done a better job of educating children and adults about the blues than master Blues in the Schools educator, harmonica player, and singer Billy Branch, who was here previously in 2001, 2003, and 2005.
Billy was born at the Great Lakes Naval Hospital just north of Chicago on October 31, 1951, and grew up in Los Angles where he learned how to play the harmonica, but no blues. Billy didn’t become interested in blues until he returned to Chicago to attend the University of Illinois where he earned a degree in political science. It was when he attended a festival at Grant Park, produced by Willie Dixon and featuring such blues legends at Muddy Waters, Junior Wells, Big Mama Thornton and many others, that changed Billy’s life forever. |
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The Lodge Hotel and Conference Center will provide rooms for Mississippi Valley Blues Society Blues in the Schools Artists in Residency for the third consecutive year. Thanks to our friends at The Lodge! |
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 Blues Anthology After many months of hard work by the Education Committee, the Anthology/CD project has been completed. The 127 page blues anthology is intended to be an introduction for readers whose knowledge of this uniquely American musical form may be limited. As the story of the blues and how it has evolved is far too complex to be contained in a single book, the anthology is offered as a collection of chapters by educators, historians, and performers themselves in the hope that it will encourage readers to further explore the blues.
The anthology includes chapters by such writers as Dr. Richard Raichelson, a PH.D in folklore and anthropology, who writes on Memphis and its role in the history of the blues, by Sally Stevens, founder of the New Orleans Blues Project, covering Louisiana Blues, by Bob Koester, founder and owner of Delmark Records, writing on the Blues in St. Louis, and many other authors. In addition there is an introduction by Dr. Karen McFarland, poetry by Dr. Sterling Plumpp, and a brief history of the Mississippi Valley Blues Society.
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2009
| TJ Wheeler |
February 2-6, 2009 |
| Hal Reed |
April 6-10, 2009 |
2008
| Fruteland Jackson |
February 2008 |
| Guy Davis |
April 2008 |
| Billy Branch |
October 13-17 |
| Corey Harris |
November 3-7 |
2007
| Hal Reed |
Feb 5th to Feb 10 |
| Bill Bell |
April 23rd to April 28th |
| Catfish Keith |
June Summer Residency |
| Hawkeye Herman |
October 2007 |
| Rich DelGrosso |
November 2007 |
2006
| Sam Butler |
February 2006 |
| Robert Jones |
April 2006 |
| Kevin Burt |
Oct 2nd to Oct 7th |
Alabama Blues Project
with Carolyn Shines |
Nov 6th to Nov 11th |
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 Hawkeye Herman Dear Friends,
I’m sure most of you have noticed the interest in “alternative” types of music that has taken place in the last few years. I’m not going to try to analyze the phenomena, but I rejoice in it. When the consumer demands variety, the wise shopkeeper responds. Have you noticed how many more blues recordings are available at Coop Records stores? Even large chain stores are catching on; Best Buy, and others are responding to your demands for music that is “out of the mainstream.”
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